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1. #KONTAKT 4 PLAYER TUTORIAL FULL#
2. #KONTAKT 4 PLAYER TUTORIAL SOFTWARE#
3. #KONTAKT 4 PLAYER TUTORIAL PROFESSIONAL#
4. #KONTAKT 4 PLAYER TUTORIAL SERIES#

I have to point out that the Orchestral instrument is so far my favorite, with a stunning collection of orchestral instruments, which includes ensembles and solos. Each instrument comes with a wide variety of sound tweaks so you can achieve all your sound goals. The sound quality of these samples is amazing and super realistic. First off it comes with a beautiful and grandiose library under 7 different main categories (Band, Choir, Orchestral, Synth, Urban Beat, Vintage, World), which contains subcategories of almost every instrument under the sun. There are many aspects on which Kontakt 4 stands out. Instead of buying just Kontakt 4 alone, I would recommend investing a few more bucks and purchase the Komplete 7 bundle ($559), which comes with Kontack 4, includes many other sound libraries and other instruments, and is worth every penny.

Kontakt 4 is priced at $399 or $149 (in the event that you are already an owner of a previous version, lucky bast**d).

#KONTAKT 4 PLAYER TUTORIAL SERIES#

Kontakt 4 is one of a series of their products in their virtual instruments catalog that have me hooked. I started using Native Instrument products only recently and quickly discovered (and should warn you) that their awesomeness should be described as addictive.

#KONTAKT 4 PLAYER TUTORIAL SOFTWARE#

Kontakt is a software sampler made by the German-founded company, Native Instruments. There isn't much it can't do and there are seemingly endless possibilities. I really can't see any big cons to this software, I'm just such a fan.

Sometimes the results of random experimentation can be quite useful. You can drag any audio audio at all in and then mess with it as much as you want. It's an incredibly easy process and can also be really useful for sound design. I've used this function to create my own sample libraries of percussion instruments that I've collected over the years and I've already started on some cool flutes and other wind instruments I've got lying around as well.

After that you are free to edit the audio in so many different ways and add other audio files as well to make an entire sample collection in one. You can drag and drop any audio file into the Kontakt interface and it is immediately mapped out and pitch shifted onto the midi keyboard. The best thing is to separate all the sounds that really excel into another folder for easy access.īesides being a great sample player, Kontakt has been really useful to me in creating and editing my own samples. In the end, there are some decent sounds in there but you have to go looking. I find the strings, for example, to be a bit harsh but that can be great if you want to boost the upper frequencies of a more dull string patch, or a synth pad.

#KONTAKT 4 PLAYER TUTORIAL PROFESSIONAL#

However, they can be effectively utilized mixed-in with more professional samples for a bigger, fuller spectrum of sound. The orchestral samples are very flexible and controllable, but just don't sound that great. The Kontakt sound libraries themselves are pretty decent although not the best. Once it's loaded up, all you have to do is find your sounds and double-click.

#KONTAKT 4 PLAYER TUTORIAL FULL#

For a complete beginner it might take a bit to realize the full potential of this program, such as the sample editing capabilities and using the multi-channel aspect to save CPU, but it's generally straightforward. Most projects I've done start with me opening a multi-channel instance of Kontakt and loading up the sounds I need. I generally use Kontakt as a plug-in and outside of some occasional samples I've programmed myself in some of Logic's synthesizers, I use Kontakt exclusively for sample playback, editing, and creation.

It's a strong and versatile program and after using it for about 7-8 years I'm still learning more and more about how powerful this thing is. Kontakt is my one and only sample player.